Registering portraits

Human head proportions

Human head proportions

Here is an explanation of the proportions of the human head, a head scheme suitable for 95% of the population. Knowledge of anatomy and proportions is the basis for drawing, painting and sculpting the human head.

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Practice in human head proportions

Practice in human head proportions

Here is a practice in the proportions of the human head, accompanied by an instructional video, a video that demonstrates adjusting the scheme of universal internal proportions for different people and a downloadable head schema.

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Head proportions in children

Head proportions in children

Here is an explanation of head proportions in children, based on the differences in head structure in children compared to adults. In addition, practice drawing a child's head proportions.

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Inclined head proportions

Inclined head proportions

An explanation of the effect of our angle of view on the changes in human head proportions, which contributes to a more accurate drawing and drawing of tilted head proportions, along with practice on the subject.

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About Us

Our studio specializes in the fields of art, sculpture, painting and drawing for educational purposes, leisure, perception development and art therapy. We offer workshops, diverse art services and also provide equipment and materials for art and creation.

Interesting posts

Drawing in colored pencils

Drawing in colored pencils

There are a variety of types of colored pencils. Here is an explanation of colored pencils, composition and features, emotional dimension, how to use, tips and drawing techniques.

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Sculpture in ceramic clay

Sculpture in ceramic clay

Here is an explanation of natural ceramic clay, the composition and properties of clay, an emotional dimension and personal expression that allows ceramic clay, how to use it, tips and sculpting techniques with natural ceramic clay.

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Composition exercise in nature

Composition exercise in nature

Here is an exercise in composition, next to examine how the changes in the relationship between format, object and background affect the expression of the composition and the subject of the work.

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